Thursday, July 29, 2010
Zs
Zs was founded in 2000 and is Sam Hillmer (tenor saxophone), Ben Greenberg (electric guitar), Tony Lowe (electric guitar), and Ian Antonio (drum set). While Zs' music has been variously categorized as no-wave, noise, and post-minimalist, it is primarily concerned with making music that challenges the physical and mental limitations of both performer and listener. Manipulating extended technique, unique instrumental synthesis, and near telepathic communication, Zs aims to create works that envelop the listener and unfold sonically over time, evoking unspoken past, present, and future rites and ritual. (source)
Zs live session recorded Wednesday March 17 2010, in a backyard in Austin, TX
More HERE
Labels:
Music,
music video
Sunday, July 25, 2010
August 2010 Calendar
You can click HERE to the download the calendar.
Quote from the Shariyat-Ki-Sugmad, art by UEK Multimedia Artist.
Labels:
2010,
Calendar,
Shariyat-Ki-Sugmad,
UEK Multimedia Artist
Monday, July 5, 2010
BP Sponsorship Gone Crude
The art activists call this BP sponsorship: Licence to Spill
Statement: "Apart from catastrophic spills like the Deepwater Horizon, there are a whole host of adverse impacts that are associated with the production of oil. On the local level, it often involves extreme forms of pollution for local communities, while regionally oil is frequently associated with greater militarization and conflict. Globally, carbon emissions, oil companies, and our collective dependence on the product they push, are taking us ever closer to the edge of climate catastrophe.
"In order for an oil company to produce oil and transport it to the global market, it needs either the support or the silence of the population in those areas of the world in which this takes place. Where the necessary support - or ‘social licence to operate’ - is not forthcoming, the ability of that company to carry out its business becomes seriously impaired..."
Click HERE for the full report
Video performance art only in the video above.
Background info, complainers, cleanup and interviews in the video below:
Thanks for filming this you and i films
Statement: "Apart from catastrophic spills like the Deepwater Horizon, there are a whole host of adverse impacts that are associated with the production of oil. On the local level, it often involves extreme forms of pollution for local communities, while regionally oil is frequently associated with greater militarization and conflict. Globally, carbon emissions, oil companies, and our collective dependence on the product they push, are taking us ever closer to the edge of climate catastrophe.
"In order for an oil company to produce oil and transport it to the global market, it needs either the support or the silence of the population in those areas of the world in which this takes place. Where the necessary support - or ‘social licence to operate’ - is not forthcoming, the ability of that company to carry out its business becomes seriously impaired..."
Click HERE for the full report
Video performance art only in the video above.
Background info, complainers, cleanup and interviews in the video below:
Thanks for filming this you and i films
CNN cut and pasted (Omer Fast)
Word cuttings, or speed-reading as it may be, tell the story. Like in times of old when Dada came to the art scene.
Omer Fast works with film, video, and television footage to examine how individuals and histories interact with each other in narrative. He mixes sound and image into stories that often veer between the personal and the media’s account of current events and history. (source)
CNN Concatenated
In 2002, Fast released CNN Concatenated, an 18-minute long single-channel video which uses CNN footage. The video is cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice. Below is a 10 minute sample:
Friday, July 2, 2010
Taken by Storm - The Art of Storm Thorgerson
Picture source
The guy who designed 80% of your record collection:
Storm Thorgerson began his career as part of Hipgnosis before establishing himself in his own right. Creating visually beautiful and thought-provoking art, he is responsible for the iconic images associated with bands such as Pink Floyd, Led Zeppelin, The Cranberries, Black Sabbath, Peter Gabriel, and 10cc, amongst others. As a result, since the 1970s his work has become synonymous with identifying pop culture.
The distinctive and edgy style of Thorgerson’s art has an element of "performance" to it. In essence, he visualizes his concept, creates the imaginative scene, and then captures it through the use of photography. In other words, his ‘temporary installation’ is caught on camera and then it is gone, leaving behind a photograph as the only evidence of its occurrence. It is these images that have graced album covers by the likes of Pink Floyd (Wish You Were Here, Dark Side of the Moon, Division Bell), The Cranberries (Bury the Hatchet), and Led Zeppelin (Houses of the Holy).
Thorgerson seems to take joy in engaging his audience and provoking a reaction — is it reality or is it fantasy? — and though many come to know his images before they know the artist, his work consistently strikes a chord in its viewers. In an age of digital technology, it is hard to believe that the metal heads featured on Division Bell were physically produced and not computer generated, or that the man in Pink Floyd’s Wish You Were Here was actually set alight.
Thorgerson has said, "I like photography because it is a reality medium, unlike drawing which is unreal. I like to mess with reality...to bend reality. Some of my works beg the question of is it real or not? I use real elements in unreal ways. Is the man really on fire? Why would he just be standing there? Who put the beds on the beach? Why? Why is there a cow on the cover? It doesn’t have anything to do with the album, or does it? A boxer dog in designer boxer shorts on a beach."
The exhibition is a retrospective of Thorgerson’s art, the beauty of which is realized with maximum impact due to the spaciousness of the gallery in which it is being shown. In addition to the limited edition signed prints, the original stain glass window with the Dark Side of the Moon image is also featured as are the spheres that were designed specifically for last year’s Pink Floyd-themed exhibition in Paris. In fact, this is Thorgerson’s first public appearance and showing of his work since suffering a stroke shortly after that event, and despite his ill health, he has continued to create interesting images. In essence, Thorgerson is a character who demands nothing but the best in his work and in those who work alongside him. The results speak for themselves. (source)
Film homepage
Storm Thorgerson homepage
Picture source
The guy who designed 80% of your record collection:
Storm Thorgerson began his career as part of Hipgnosis before establishing himself in his own right. Creating visually beautiful and thought-provoking art, he is responsible for the iconic images associated with bands such as Pink Floyd, Led Zeppelin, The Cranberries, Black Sabbath, Peter Gabriel, and 10cc, amongst others. As a result, since the 1970s his work has become synonymous with identifying pop culture.
The distinctive and edgy style of Thorgerson’s art has an element of "performance" to it. In essence, he visualizes his concept, creates the imaginative scene, and then captures it through the use of photography. In other words, his ‘temporary installation’ is caught on camera and then it is gone, leaving behind a photograph as the only evidence of its occurrence. It is these images that have graced album covers by the likes of Pink Floyd (Wish You Were Here, Dark Side of the Moon, Division Bell), The Cranberries (Bury the Hatchet), and Led Zeppelin (Houses of the Holy).
Thorgerson seems to take joy in engaging his audience and provoking a reaction — is it reality or is it fantasy? — and though many come to know his images before they know the artist, his work consistently strikes a chord in its viewers. In an age of digital technology, it is hard to believe that the metal heads featured on Division Bell were physically produced and not computer generated, or that the man in Pink Floyd’s Wish You Were Here was actually set alight.
Thorgerson has said, "I like photography because it is a reality medium, unlike drawing which is unreal. I like to mess with reality...to bend reality. Some of my works beg the question of is it real or not? I use real elements in unreal ways. Is the man really on fire? Why would he just be standing there? Who put the beds on the beach? Why? Why is there a cow on the cover? It doesn’t have anything to do with the album, or does it? A boxer dog in designer boxer shorts on a beach."
The exhibition is a retrospective of Thorgerson’s art, the beauty of which is realized with maximum impact due to the spaciousness of the gallery in which it is being shown. In addition to the limited edition signed prints, the original stain glass window with the Dark Side of the Moon image is also featured as are the spheres that were designed specifically for last year’s Pink Floyd-themed exhibition in Paris. In fact, this is Thorgerson’s first public appearance and showing of his work since suffering a stroke shortly after that event, and despite his ill health, he has continued to create interesting images. In essence, Thorgerson is a character who demands nothing but the best in his work and in those who work alongside him. The results speak for themselves. (source)
Film homepage
Storm Thorgerson homepage
Picture source
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